I wish people to look at these images of drawers ("opening" from the ground) and think that their acts, words and feelings could be there, kept in a place where they could be accessed again and be looked at in an intimacy act of reflection. Having their story connected to the history of the street, by "opening the drawers" people could get back, feel and think about a moment already past - i believe these moments are what might build a collective consciousness of society.
The analogy to the archives relates not only to physical and concrete history but also to the "untouchable" that happens in the public space (meeting of people, or the individual state of mind, etc). As in previous work I have produced there’s a reference to the invisible, the metaphysical world of feeling and thinking (...)